Lame Adventure 60: Skid Marks

Mid-week, intermittent showers soaked Manhattan.  Whenever I hear that there is going to be rain in the forecast, I remember to pack my umbrella and resign myself to the reality of a lousy hair day.  What I didn’t anticipate was doing a pratfall in the Chambers Street subway station where my feet fell out from under me and I slid across the slippery wet floor Looney Tunes style.  When my slide came to a stop, I hit my head with a thud.  Only flying feathers and the sound of a cuckoo clock were missing in my real-life cartoon.

A spot that is definitely slippery when wet.

A thought flashed through my mind, “Is this my Natasha Richardson moment? Will I be calling in dead at work tomorrow?”  Then, I remembered that her tragic head injury occurred in an elusive spot above her ear.  I hit the back of my head, possibly the portion of the skull that encases the scintilla of brain required to perform my illustrious job as Minister of Tile, a job that The New York Times, in a recent article, equated with “any job.”  No need for Milton to arrange to have my ashes spread over Fairway (good food), Film Forum (good film), and the Public theater (good theater) just yet.

As three women hurried toward me, I sprang to my feet and waved them off insisting that I felt fine, even though every bone inside my body was vibrating like a tuning fork.  As I descended the stairs leading to the subway platform, it occurred to me that I was feeling relatively okay at the moment, but I might not feel so great the next day.  That was a fairly accurate insight.  When I woke the following morning, I was so sore and so stiff, my entire being felt like it needed to be encased in a splint-style burka, or at least a modified pine box with cut outs for the arms, legs and face.

I considered calling out sick, but Elsbeth, my boss, is continuing to battle an offshoot of the Ebola virus.  After missing all of last week fighting this persistent bug, she’s shown up at work every day this week, half-deaf, congested and miserable.  What would I tell her?

Me:  Hi Elsbeth.

Elsbeth:  Where are you?

Me:  Home.  Sick.  I fell down.

Elsbeth:  Get up and come into work! <phlegm-filled cough>

Even though I have a full body sprain right now, it could have been much worse.  I could have broken something.  Some years back in mid-ski season, my old acquaintance, Felix Unger, broke a rib while skiing at a skill-level beyond his fetal-bunny slope area of expertise.  He did not make a full recovery until summer.  When his rib was almost completely healed in spring, a woman on a crowded A train, who didn’t want to hold onto a pole, slammed hard into him, subjecting him to immediate re-injury.  Riding the subway hurt is something best avoided, especially around germ-o-phobic passengers with no sense of balance.

On the train ride into work this morning, my wants were few, I could content myself with either a morphine drip, or a seat.  My express train downtown pulled into Times Square simultaneously with a local, so I crossed the platform and made a beeline for a row of empty seats.  I did notice a woman carrying a Whole Foods bag standing in front of that vacant row holding the overhead bar.  I assumed she felt like standing because she was getting off soon.  The next stop, 34th Street Penn Station, is another major transfer point in the route.  She saw me coming, she stepped aside, and I took a seat – right in a puddle of water!  Once again, I sprang to my feet.

Me:  It’s wet here!

Woman:  Yeah.

Me (exasperated):  Why didn’t you say something?

Woman (smug):  I already knew it was wet.

She smiled slightly, revealing her pleasure with my predicament.  I felt punked, but did not say anything further, even my tongue felt too sore to argue.  I moved over by the door in this leaky train and waited for my soggy ass to dry.  She continued to hover over that soaked seat for several more stops in apparent wait for more victims to do what I did.  I was waiting too, waiting to bark, “Don’t sit there!”  She eventually got off.  No one sat in that row by the time I reached my stop.

Don't sit here!

I could not help but wonder why someone would be so nasty toward fellow passengers hoping someone would sit in a sopping wet seat.  Was this her revenge for having to work in a carnival dunk tank?  I’m neither spiritual nor religious, but I believe karma is important.  When you consciously do something deplorable with the intention of making some unknowing sap miserable, having that stain on your soul will eventually haunt you somewhere down the line.  It might be the difference between taking a tumble in the subway station and getting up dazed — or lying helpless on the floor with a cracked skull, the reward for behaving like a nasty turd.

Brilliantly placed sign located nowhere near any wet subway station floor.

Lame Adventure 59: Intelligence Test

There is a Whole Foods, or as my sister, Dovima, prefers to call this market, Whole Paycheck, in Tribeca near my place of employ.  Since milk and the bananas I get – the ones that are called free range or possibly it’s whole trade – are priced the same as the Fairway near my apartment, I do not feel fleeced when I make these purchases during my lunchbreak.  Whenever I am in Whole Foods, I only buy what I set out to get, and therefore, I am a barnacle to my budget.  That is the only way I can afford to set a toe in this temple of gastronomy without agitating my acid reflux.

Whole Foods in Tribeca under cover of leafy trees.

The purchasing of two simple staples can easily be accomplished relatively quickly in the ever-evolving express checkout lanes.  Since this location’s inception, these checkout lanes have continually transformed.  Initially, there were two high definition TV screens for the two separate sections of registers, one section for registers 1 through 12 and the other for registers 13 through 24.  Inevitably, one section always moved faster than the other so the challenge was to determine which section that was.  Often, the faces bearing the more miserable expressions were a good indicator, but in New York, you cannot always rely on the disgruntled look since some people just naturally appear that way.  Specifically, I’m thinking about my millionaire landlady, Iris O’Gougely, but I digress …

In recent months, Whole Foods in Tribeca has switched to a more egalitarian one monitor for all registers approach.  How this works is there are now five color-coded lanes with big white arrows pointing downward, a simple way of communicating to customers where they should stand and wait their turn to go to a register while watching the screen above.

Stand under the arrows.

The monitor’s screen now has five fat stripes, the same color as each color in each lane.

Screen with five fat stripes.

Customers stand in the lanes, and as registers become open, a number appears in the color of the corresponding lane’s stripe showing the open register’s number.   A pleasant female voice simultaneously announces that number.  Working from left to right, the next open register then proceeds to the next lane’s stripe color.

This system is working with precision efficiency as customers follow instructions and go directly to the registers corresponding to their lanes.  Unfortunately, the system breaks down when I take my place in the yellow lane, a lane that is between the blue and green lanes.  In the blue lane to my left, stands my fellow customer, a jughead that I call Mr. Blue.  Up on the monitor, in Mr. Blue’s blue stripe, appears the number 12.  For added emphasis, the voice announces, “Register 12.”  A second or two later, in my yellow lane’s yellow stripe, appears the number 7, and the voice announces, “Register 7.”  As I am walking toward Register 7, I slam on the brakes for I see that Mr. Blue, who was supposed to head to Register 12, coincidentally the register closest to where he was standing and waiting, has gone to Register 7 instead.

Meanwhile, just as I am back-peddaling to Mr. Blue’s register, Register 12, I hear the voice announce, “Register 8.”  The customer in the green lane who is supposed to go to that register is Ms. Green, a woman wearing a hat that resembles a birdcage crossbred with an inverted garbage can.  She steps up to Register 12 instead.  As order briefly freefalls into chaos, I lose the ability to hide my frustration feeling sandwiched between dolts.  I morph into Darth Vader, emit a deep breathy groan, and flash Ms. Green the hairy eyeball.  She giggles, “I think I’m supposed to go to 8!”  She makes a fast exit in Register 8’s direction.  I resist suggesting in her wake, “Give the finger to Mr. Blue at Register 7 for me.”

I hope that Mr. or Ms. Red found their way to Register 12.

Lame Adventure 58: Good Film Good Food

This could come across as anti-American, but usually when I see the name “Judd Apatow” on a film’s credits, I stay home, but to prove I still have some patriotism left, when I see the name “Jason Segel” on the credits, even on credits that include “Judd Apatow,” I’m among the first in line at the movie theater box office.  Due to the power of the Apatowian endorsement, Get Him to the Greek probably rated a larger budget, so okay, thanks Judd.

Aldous and Aaron.

Get Him to the Greek is a comedy that hardcore foreign film lovers Milton and I were both on board to see the second we caught sight of the trailer months ago because we both enjoyed Forgetting Sarah Marshall and Greek features FSM scene stealer Russell Brand returning as the character of the rock star, Aldous Snow.  Aldous is a character created by Jason Segel who was also one of Greek’s producers.  Greek was written and directed by Nicholas Stoller, who also directed FSM.  Jonah Hill co-stars as Aaron Green, a recording industry assistant that is a dedicated Aldous Snow fan.

The screen chemistry between Hill and Brand is palpable.  At the film’s start, Aldous is in alcohol soaked free-fall following a critically maligned disastrous record that is also a commercial failure coupled with the implosion of his personal life.  Aaron has 72 hours to get Aldous from London to New York, with a detour in Las Vegas, to the Greek Theater in Los Angeles for a career comeback concert.  In-between the constant idiocy there’s a modicum of depth that makes these two knuckleheads endearing.  Although neither Hill nor Brand would ever be mistaken for the second coming of Marlon Brando and Laurence Olivier, but because they are both so talented, this film works wonderfully well.  These guys may excel at playing goofballs, but in moments of pathos, they deliver just as effectively.

Since this is essentially a male buddy film, the female characters, played by Elisabeth Moss, best known as Don Draper acolyte Peggy Olson on AMC’s Mad Men, and Rose Byrne of the FX series, Damages, are little more than superfluous devices that double as salvation for one guy and a reality check for the other.  One of the reasons I often find these madcap male comedies such a waste of time is that they’re an exclusive boys club, where the guys are having all the fun usually behind the backs of their women that are more often than not humorless whiny castrating bitches.  Do I really believe for a nanosecond that serious, slim and pretty medical resident Daphne (Moss) is happy to be shacking up with the sweet, morbidly obese, dingdong Aaron?  Early on, in what is supposed to be seen as a sign of endearment, she gives him a massive heart attack-inducing fried egg takeout sandwich that was such a blatant violation of the Hippocratic oath, it made me wonder if her character was a closet Kevorkian.

How the female characters are portrayed is a minor quibble.  Based on the trailer, I knew what I was in for, 72 hours of silliness that I am pleased to say was highly entertaining.  Sean Combs plays Sergio, Aaron’s recording industry executive boss, and he’s quite effective as an extreme send-up of himself.  The idiotic lyrics to Aldous’s songs made me think of those in one my favorite mockumentaries, This is Spinal Tap.  Overall, Get Him to the Greek delivers.

Following that satisfying screening, Milton and I visited Magnolia Bakery on Columbus Avenue.  Recently, he was told that his favorite item on their menu, Hummingbird Cake, was too hard to make during summer.  We don’t know why, but I am quite sure that this cake is hummingbird free, so we assume that it might be because it is too labor-intensive an endeavor during the hot weather months.  As for my favorite, the chocolate banana cupcake is seldom ever on the menu.  Before entering the store I said:

Me: Gee, I hope my chocolate banana cupcake is there.

Milton:  Don’t count on it.  I’m resigned to never eating Hummingbird Cake again until fall.

Then, we opened the door and what did we see – both Hummingbird Cake and one chocolate banana cupcake!  We blurted enthusiastically:

Me:  Oh, look; they have my chocolate banana cupcake!

Milton:  I see Hummingbird Cake!

As if under a spell, Milton marched straight to the cake line.  That announcement of mine caused all six people ahead of me in the cupcake line to focus on “my” one cupcake.  I thought, “Oh no!”  Now I was suffering an intense anxiety attack.  Just as I was about to call Milton on his cell phone to bark an order, he looked back at me.  I mouthed frantically, “Get that chocolate banana cupcake!”  He did.  Phew!

The king of Magnolia cupcakes, Chocolate Banana.

The queen of Magnolia cakes, Hummingbird Cake.

Magnolia Bakery royalty.

Lame Adventure 57: British Comedy Invasion at Webster Hall

Next week, my colleague, Elaine, is moving back to the UK in high style via The Queen Mary across seas that are not yet saturated with BP oil, although Milton anticipates that if this epic spill climbs up the Eastern seaboard and spreads over the Atlantic we might be able to eventually walk, or possibly belly slide the entirety of what once was the ocean, all the way from Gotham City to Elaine’s house in Banbury.   Before setting sail, Elaine invited her scores of friends to join her at Webster Hall for an evening of comedy improv she promised we’d be sorry to miss.

In the Marlin Room!

Milton, Ling, Lowell (Ling’s significant other), Greg and I signed on immediately, as did Elsbeth, until she fell wickedly ill with a ferocious ass-kicking bug that is immune to the usual over-the-counter remedies so now my frustrated boss is on the verge of huffing Raid.

Bright and lovely Ling and Lowell.

Dark and gloomy Greg, Milton and Me.

Those of us that did attend were in for an evening of non-stop hilarity by four wildly wacky seemingly spontaneous comedy pros – Stephen Frost, Neil Mullarkey, Andy Smart and Steve Steen.  These ordinary looking middle aged guys could easily be the Fab Four of comedy.  It makes no sense that they are not better known on our side of the ocean.  Hopefully, this blog that is steadily read by a devoted audience of seven, will be the post that goes viral and gets the word out about them and some ad revenue for me from a highly coveted sponsor like Nike or Miracle Ear since my hearing is rapidly going the way of my fertility.

The place to have been on June 2nd.

How this quick-witted improv troup works is they prompt the audience for suggestions, the zanier the better, and would then begin to riff.  They were like jazz inspired jesters.  Their opening bit was to tell a fast-paced coherent story featuring Donald Duck, but the rules were that each guy would only say a few words and the next guy had to carry on.  If anyone stumbled, the audience members were instructed to scream, “Die!”

Frost (center) egging on audience with Mullarkey (left) pondering and Smart (right) waiting to pounce or grow redder in the face, whatever comes first.

Another bit involved sending Frost out of the room so he could be out of earshot as his partners prompted the audience for suggestions for something Frost would have to define based on clues from his mates.  That something turned out to be, to the best of my recollection, a salmon used to make the dots in golf balls for a yoga teacher on an iceberg.  Pretty easy … if you’re Frost and you have an ear and eye for the most esoteric clues imaginable.  In barely 15 minutes with Mullarkey mouthing a fish, Smart carrying on about yogurt, penguin-shaped Steen running around like a lunatic, among countless other inane posturings and hints, Frost got it!

Other bits included Steen playing a resident of Lichtenstein speaking fluent Licht, a riotous Steenian-style gibberish, as red-faced Smart stood nearby and translated the story.  Somehow they even managed to improvise a song on the spot, and Steen, who seemed to be a Pixar cartoon come to life or at least a distant relative of The Incredibles, performed a wildly funny dance.

Steen going Bollywood with Frost.

During intermission audience members were urged to write suggestions for more bits on scraps of paper placed in a bowl.

Frost commenting on the audience members' terrible penmanship.

After the break, they were joined by Eddie Izzard, who’s in town to replace James Spader in the David Mamet play, Race.  We thought that considering how busy Eddie must be, that was a pretty generous visit from him, since we doubted that a free beer was enough of a lure.

Eddie!

He quickly followed the guys into a make-believe convent based on the suggestion of playing a nun drunk on Jell-O shots.  Steen assumed the role of the tipsy sister.

Steen on his knees praying and playing drunk.

The New Nun's Story.

Another comedy great that joined the lads was Mike Myers.

Mike!

He and Mullarkey were writing partners back in the eighties, and they did a brilliant improv where Mullarkey played a gravedigger and Myers played everything from a d.j. to a talking corpse.  In introducing Myers before they began the bit, Mullarkey humbly declared that Myers taught him everything he knows about improv, and Myers did not disappoint.

Myers & Mullarkey together again!

Great duet!

The last bit, the finale, Greg referred to as “shenanigans” and that’s a pretty apt description.  With Eddie and Mike still on stage, they played Sherlock Holmes trying to crack a case involving Queen Victoria, Prince Albert, Moriarty, etc., that rapidly descended into side-splitting chaos since each guy would voice another’s character, but they had to mouth the words although they had no idea what the other guy was going to say.  Definitely don’t try to do that at home – or at work the next day even if your boss is out sick.  Your head is guaranteed to explode.

Madcap chaos!

Clearly, these guys have a lot of chemistry.  Milton was certain that they must have some way of reading each others signals to know where the routine is heading, just like when Milton gives me the “we’re outta here” look, but with them it’s more subtle and far more funnier.

Crummy poster, great show.

Elaine is hopeful that Webster Hall will book them again, and we are, too for we’ll be back.  This post does them little justice.  You have to see and hear these comic pros riff in person, preferably with your posse, if only to gas about it incessantly the next day with the Quiet Man sitting in the back of the office, who opted not to go, probably fantasizing about harpooning those that did.  It’s fast-paced fun, so the next time the British Comedy Invasion crosses the pond to New York City shores, or whatever shores you call home, don’t miss them.  Elaine’s promise is spot on — if you don’t go, you will be sorry.  Meanwhile, for a hint of Mullarkey’s literary wit, his self-improvement book has just been released in paperback, Don’t Be Needy, Be Succeedy.

Lame Adventure 56: Sneezing Numbers for May

Last month I had my birthday.  It was an ordinary one, not the crisis kind that reminds me that, thus far, I’ve essentially misspent my entire life from cradle to (as I inch closer) ash.  Besides, I can think that thought any day of the week, especially when I ponder how overseeing tile labeling is my current <cough> get rich slow career.

On my birthday proper, May 4th, when my UK-bound colleague, Elaine, set foot in the office at 8:54 am, I sneezed twice with hurricane force and had a light bulb.  I thought, “I wonder how many times I’m going to sneeze this entire year until my next birthday?” I also happened to have a small spiral bound memo book in my satchel, a perfect notebook to start jotting daily sneezing notes.  I call it My Book of Sneeze.

My Book of Sneeze

I also considered writing a second blog, one entirely devoted to nothing but my sneezing.  Before setting that one up, I ran this idea by Milton who opined in a voice that sounded very similar to someone who had just been force fed a tennis ball courtesy of Serena Williams following a bad call.  My close confidant gagged, “Please don’t. You don’t want to know the kind of person that would follow something like that.”  Next, I suggested just summing up my entire month of sneezing in a single post here and that met his seal of approval, followed with this reflection, “I can’t believe you’re really going to count all your sneezes for an entire year.  That’s fuckin’ crazy.”  One man’s crazy is one woman’s blog post.

My sneezing highlights and statistics for the month of May from the 4th through the 31st are as follows:

May 4th – birthday: 7 sneezes; two scoring solid 5’s on the sneeze-o-meter with 1 being a suppressed sneeze that explodes inside one’s head and 5 being delivered with such velocity that children and pets (including fish) hide.

Monday May 17th – high count sneeze day: 8 (2 at work; 6 at home).

Home: 44 sneezes

Work: 25 sneezes

Other (walking on street, while visiting friends, in a store, etc.): 14 sneezes

Subway: 4 sneezes

Volunteer Ushering (Gabriel at Atlantic Theater Company): 1 sneeze

No sneeze days: 4

Overall, I sneezed a total of 88 times during those 28 days in May for an average of 3.1428571 sneezes per day.  Onto June!

I suspect that the power of suggestion from this woman's daisy decorated headpiece, whether artificial or real, is what prompted me to sneeze twice while observing her sit opposite Marina Abramovic at MOMA on Monday, May 31st.

Lame Adventure 55: Go to MOMA, Get Arrested

Since today is Memorial Day and I do not have to be at work (yea!) I decided to log onto the Museum of Modern Art’s live feed of the final day of performance artist Marina Abramovic epically sitting in the museum’s atrium.  I figured something interesting might happen and I figured right.  Barely thirty minutes into the first hour, a svelt young Karen Finley wannabe appeared.  She approached Marina clad in what looked like a simple cotton shift, immediately lifted her dress revealing her nude body and the museum’s guards from possibly every corner and floor of the building descended instantly ending the presence of the naked woman with the artist.

See for yourself.

Marina waiting for her next guest and blowing her nose proving that allergy season affects everyone.

"What'd I do wrong?!" Hogging the spotlight?

"My job is to open my jacket in instances like this."

"You guys are so overreacting! Everyone's naked on the sixth floor!"

"Hey, look at my authority! I can open my jacket, too!"

Update:

The Abramovic endurance test sitting performance has ended.  She has achieved her goal of sitting more than 700 hours staring across at over one thousand sitters.  MOMA’s guards continued to be extra vigilant following the aforementioned stripping incident, but I only noticed one other young woman who had the potential to set them off.   She was clad in a dual purpose lavender color skeleton suit – perfect to wear when sitting across from Marina Abramovic or when scuba diving.  It might also make a good method of birth control if inclined to turn off one’s mate.  This woman seemed rather emotional and I do not think it was due to any feelings of embarrassment.

"It's laundry day, this is all I have to wear."

"Oh God, did I turn off the iron!"

A sitter nearing the end of the piece was an ersatz Marina doppelganger, but in male.  The guards hovered in the background no doubt ready to make creamed corn out of him should he attempt any funny business.  He didn’t.

"I like your style."

"Move on before we move you on."

Around 4:30 an army of guards arrived and I wondered, “Hm, is Obama gonna take a seat?”  Not quite, but this Buddhist monk, the Dalai Lama, or the Dalai Lama’s body double showed up.  He roused Marina’s attention.

After about ten minutes or so even his serene presence did not stop the guards from whispering something like, “Time’s up, pal; move on,” in his ear.

"Hey padre, gotta go."

Finally, the final sitter arrived, MOMA’s Chief Curator at Large Klaus Biesenbach arrived and Marina probably thought, “Thank you Jesus, quitting time!!!!!!!!!!!!!!!”  Or maybe not.

Klaus, the final sitter, and Marina.

"Marina, it's time to get up."

"Ugh. I never want to sit again."

"I hope I don't trip on this thing."

"Hey, I did it!"

"Thanks for watching. Exit through the gift shop."

Marina surrounded by the performers who recreated her performances.

The Artist is No Longer Present.

Lame Adventure 54: “Blog away!”

One of the indirect benefits of making ends meet on a 1998-era salary in 2010 is that unwanted frugality forces me to be financially intrepid.  Since I have so little fun money to toss into the sagging economy following the 20% pay cut I’ve endured since January 2009, I have hit upon a creative way to feed my ravenous theater-loving beast for free by slithering in through the out door when no one is looking …  Actually what I really do is not remotely sneaky, I volunteer usher off-Broadway plays.  Stuffing Playbills an hour before curtain, then afterward picking up those same Playbills, now discarded, and flipping up seats for five minutes is an easy way to see shows for free.

All of my ushering gigs have gone well.  Once after I tore a ticket and handed a Playbill to an older woman reeking of wealth, she pressed a dollar bill in my hand.  I resisted the urge to return the greenback to her inscribed, “Adopt me.”  Another time, following a flat comedy by a revered writer I admire very much, a cluster of older women wearing the fragrance Fort Knox by Chanel, refused to leave their front row center seats and worse, they seemed angry.  Since the play was a disappointing stale lump of writing so uncharacteristic of someone so talented, I had the distinct impression that might have been a factor in their exasperated discussion that prominently featured the words awful, horrible and terrible preceded by “that was.”  One of the women, who resembled Diana Vreeland cross-bred with Ruth Madoff, called me over.

Me:  Yes, ma’am.

DV meets RM:  Has this play been reviewed in the Times yet?

Me:  No, it’s still in previews.  It opens next week.

DV meets RM:  It should close today.

Me:  Uh, okay.

DV meets RM:  Did you like this play?

Me (channeling my inner non-committal weasel):  I’m just a volunteer usher …

DV meets RM:  I don’t care about that.  (demanding) What did you think of this play?

Me (reaching for words):  I think it worked, uh, well.

DV meets RM:  You just lied to my face!

Very true, but there’s no way that I’m going to bite the theater company that feeds me free tickets especially when the director, someone extremely prominent on Broadway and off, is sitting in the back row talking urgently to his crew and writing copious notes.  Plus, as mentioned, the writer of that dud of a play is one of my favorite writers.  Does Alex Rodriguez hit the ball out of the park in every at-bat?  What I really would have liked to have said to DV meets RM is, “Lady, have you ever written a play?  Do you have a single solitary clue how hard it is?”  Of course, I was mute.

This past Saturday I am happy to admit that I volunteer ushered a genuine gem of a play currently being staged at the New York Theatre Workshop, Restoration, written by and starring the theatrical powerhouse, Claudia Shear.  Claudia Shear is someone that if you have a chance to see her on stage, somehow find a way to go.  As of now, Restoration closes Sunday, June 13th.  It might extend, but it might not.  Tickets for Sunday performances are $20 and there is not a bad seat in the house.

A few years ago Milton and I lucked into seeing Shear in a delightful $10 play in the Summer Play Festival series called Esther Demsack written by Billy Finnegan.  Shear played one half of the tag-team of two hilarious eccentric mother-daughter neighbors.  Milton practically suffered a seizure he laughed so hard.  Afterward, he asked me, “Who the hell was that?  I can’t breathe!”  I said exuberantly, “Claudia Shear!”  He added. “How come we’ve never seen her on stage before?  She’s incredible!”  I said, “Because we’re idiots!”

Restoration is a story about Giulia, a middle-aged almost forgotten art restorer whose smart mouth has nearly killed her career until a former college professor helps her get awarded the rare opportunity to clean Michelangelo’s David.  If anything in that description sounds sappy, the play as written and performed by Shear, fortunately, is not.  Giulia is quite a jerk but a very empathetic jerk. The story that unfolds is witty, poignant, and by the conclusion, exhilarating.  Giulia’s year in Florence working this job of a lifetime is also a time for some serious self-restoration.  She battles with the statue’s curators, with her former professor, and most of all with Max, the motor mouthed security guard, who initially irritates hers with his endless musings but over the course of the year becomes a valued friend.  At the play’s conclusion, it’s evident that this snarky Brooklynite is going home a better person.  Shear so masterfully embodies this self-proclaimed nerd – she even delivers the “please turn off your cell phone” announcement in Italian before the play’s start — it’s easy to share her feelings of accomplishment at the play’s conclusion when the fruit of her year of intense labor is majestically unveiled.  Giulia’s proud of herself and the audience is, too.  It’s also easy to feel proud of Shear for having massively researched and written such an entertaining play.

As spot on as Shear is as the story’s protagonist, she is surrounded by an excellent supporting cast – Alan Mandell as the sage Professor, Tina Benko as Daphne, a cool and beautiful Italian sophisticate as well as Giulia’s nemesis, Natalija Nogulich in three roles – the cleaning lady, the curator and Nonna, a woman who has adored David since childhood, and finally, Jonathan Cake as Max, the witty, charming and heroic security guard.  The production design by Scott Pask is off-Broadway at its best with a very imaginative recreation of the actual David statue and museum where it is on display.  Christopher Ashley directed this well paced delightful 90-minute production.

Where this ushering gig differs from all the others I have worked in the past is that I did something I never, ever do, I hung around the theater’s lobby waiting to meet Shear.  I see actors as people who give their all up on the stage or screen, but when they’re on their own time, I think the greatest show of appreciation is to leave them alone.  They give us their performance, and if it touches you, great, they did their job well.  Now, stay out of their space.  Scram.  Considering that Shear is someone I admire very much and I knew if I liked Restoration, I would write about it here, I shelved my inner weasel and channeled my inner lame adventuress, who is always at the ready to do something featherbrained.  By the time Shear entered the lobby, only a few fans were lingering.  I was close to feeling physically ill since I so despised what I was doing.  After the other fans dispersed, she noticed me vomiting inside my mouth.  She gave me a wary look.  I explained that I would like to write about Restoration here, but I wanted to illustrate my post with a photo of her.  She told me to shoot her waist high, put on her sunglasses, struck a pose, and declared, “Blog away!”

Claudia Shear

Lame Adventure 53: Tea Time

As the weather transitions from cool to warm to hot, I am transitioning from drinking hot tea to iced tea.  I seldom drink coffee because I cannot stand the aftertaste, and I simply prefer the taste of tea.  When I was a child and suffered a nightmare in the middle of the night, my bleary-eyed father would make me a cup of tea to calm my nerves.  I remember sitting across from him at the kitchen table jabbering about whatever it was that scared the daylights out of me while sipping my tea.  The conversation went something like this:

Me (age 5):  And this witch, Dad, she was flying on a broom all over my room, almost hitting me in the head!  She was laughing and I knew she wanted to eat me up!

Dad (exhausted, face covered in 5 o’clock shadow):  There’s no witch in your room.  No one’s gonna eat you up.  Drink your tea.

Me (sip, sip, sip, thinking all the while):  Are you sure she didn’t hide when she heard you coming?

Dad:  No witch was hiding when you were screaming.  You imagined her.

Me (sip, sip, sip, still thinking):  But why would I do that?  She was real scary.

Dad:  Then forget about her.  Think about someone you like.

Me (sipping, thinking):  I like Woody Woodpecker.

Dad:  Good. Think about Woody Woodpecker.

For my sixth birthday, my parents gave me a talking Woody Woodpecker puppet.  His head was plastic and his body was blue corduroy.

Someone I liked a lot at age 5.

I loved pulling the string and hearing Woody’s trademark laugh:

Doing this in the middle of the night was not something Dad loved, so that habit came to a screeching halt fast.

Back to the present and the topic of tea.  For a while I drank Snapple, sometimes Arizona Iced Tea or Sobe.  Even though they tasted pretty good, they were full of sweeteners and crap that I felt was unhealthy.  Then I switched to teas made by Honest Tea.  I particularly liked the Assam flavor, but one day while sipping a bottle of it I did not notice the sludge at the bottom until I swallowed some of it.

I nearly projectile vomited.

Then, I contacted them.  They were very upstanding plying me with coupons and even some bags so I could brew my own.   When I mentioned this to another iced tea aficionado, a fastidious chap that Martini Max liked to call Felix Ungar, Felix said, “Why don’t you drink Lipton Cold Brew?  It’s hassle-free iced tea that you brew for a few minutes in cold water.   It tastes a lot like Assam, but you can get 22 quarts for the price of about three bottles of Honest Tea.”  Felix was so sure that I would be a fan of Lipton Cold Brew he gave me a bag.

I tried it.  I liked it.  When I considered how much I would be saving drinking Lipton Cold Brew over the costly ready-made varieties, money I could spend on theater, movies or the spirits of the gods – alcohol — I liked it even more.  Yet, there is a catch with Lipton Cold Brew: finding it.

For years, the Food Emporium in Tribeca near where I work has been my go-to source.  This year it appears that they have stopped carrying it!  My next go-to source is Amazon.  For $17.86 they sell it in six packs containing 44 bags per box.  That’s 264 bags.  Even if I used 44 bags of this elixir each month in summer, that accounts for 132 bags or three boxes.  My apartment is  small, where am I going to put all these boxes?  Clear space in my bookshelf, empty half my sock drawer, stack some next to the juicer I haven’t used in five years?  I next considered giving a few of the boxes to my friends, but Milton is averse to anything healthy, Albee would use it as a doorstop, and Martini Max prefers the variety that is full of sugar and his favorite artificial lemon flavor.  Plus, Max and Mabel, his Magnificent Muse, just gave me a framed signed movie still of Tura Satana for my birthday.

Birthday present wrapped by the Baroness of Bows!

Birthday present unwrapped.

Do I show them my appreciation for their thoughtfulness with a box of tea that they might think tastes like flat giraffe piss?

Not a good idea.

Resisting the urge to purchase enough Lipton Cold Brew to hydrate every resident in my apartment building all summer, I don my pith helmet, and hunt for it in the markets in my neighborhood.  Unfortunately, I do not find it anywhere.  There is a Food Emporium not far from Lincoln Center, but I loathe the thought of trekking down there and coming up empty.  Why would the Food Emporium on the Upper West Side still carry it while the one in Tribeca has stopped?  Possibly because the Food Emporium on the Upper West Side did not get the message to stop selling it?  I was so happy to see it sitting on the shelf, the Edwin Hawkins Singers started playing on my internal iPod.

Oh happy day!

Ahhhhhhhhhhh, refreshing!

Bonus shot courtesy of Martini Max's iPhone of Tura Satana signing Faster, Pussycat! Kill! Kill! autographs at Chiller convention In NJ in April.

Lame Adventure 52: Onto the ER

Following lunch at the CIA (see Lame Adventure 51) last Friday, Martini Max, Mom of Martini Max and I headed over in the Maxmobile to The FDR Presidential Library and Museum in Hyde Park where MoMM had a pass that granted us free tickets to visit ERVK – Eleanor Roosevelt’s home, Val-Kill Cottage, which is maintained by the National Parks Service.

Ticket Seller:  How many are in your group ma’am?

MoMM:  Three.  My son’s in the toy department and his friend’s on the floor playing Diane Arbus by the dog.

The chess set of Max's dreams.

Lifesize monument to FDR's beloved Scottie, Fala.

When we reached Val-Kill, ER’s private sanctuary; the place she called home following Franklin’s death in 1945 until she bought her own rainbow in 1962, we marveled at the beauty of the surroundings.

An idyllic pond, appropriately named Val-Kill Pond, flows nearby.  It was so pleasant to see happy fish swimming in a body of water that has yet to be fouled by flowing BP oil.

A view that's easy on the eyes.

Val-Kill Pond with Stone Cottage in background.

We walked across the footbridge and stopped at the boarded over swimming pool where FDR, Eleanor, and their brood used to gather.

Boarded swimming pool with blocks frame right where diving board used to be.

Max and MoMM noticed what we thought was a weathered doghouse near some trees, but I later learned that it was a dollhouse.

Crummy image of dollhouse.

Stone Cottage.

As we waited inside the gift shop in Stone Cottage for our tour to begin, I noticed a Royal manual typewriter.  I asked if this was Eleanor’s actual typewriter, but the clerk did not think so.  She thought it was similar to the one Eleanor used to write her 7,000 My Day newspaper columns between 1936 and 1962.  Eleanor was blogging before blogging.

Typewriter similar to ER's?

One of the park workers told us we could enter the playhouse to watch a film biography about Eleanor narrated by Jane Alexander.  We were looking forward to this, but a woman with the body of a middle linebacker sitting in the front row completely obscured our view of the screen.

Hey lady! Your back makes a better door than window!

MoMM (sotto voce): Let’s move!

MoMM got up, and Max and I followed her to seats with an unobstructed view.  After the film, a park ranger started the guided tour over the grounds.

ER's cottage nestled behind trees with garden in foreground.

Before entering Eleanor’s cottage, he mentioned the names of many of her illustrious guests that entered the door we were about to step through.

Tour Guide: … and John F. Kennedy [eyeing my camera] and no photography inside.

Great American Max about to enter Val-Kill Cottage.

I did manage to elude arrest by photographing a picture of Eleanor that was taken in her cottage’s study, where she would meet with dignitaries.

Great American ER inside Val-Kill Cottage study.

Although a rope separates visitors from setting foot into this study, the wood paneling, the placement of the photo of Sara, her difficult mother-in-law, even the framed pictures on the wall and wall sconces, have all been preserved to recreate what her home was like when she resided there.  It made us feel like we were stepping into history.  Max was so overcome he wanted her easy chair and magazine rack.

At the tour’s end, Max assumed the role of guide and led us to the outdoor grill.  Channeling his brilliant powers of observation, he pointed out that it was specially built at a low angle to accommodate FDR’s wheelchair.

Fireplace grill.

Then, we regrouped back inside the Maxmobile where Hanna, his dashboard hula girl, acted as Max’s GPS and we headed home.

"Cross Mid-Hudson Bridge, Max."

Lame Adventure 51: Visiting the CIA

Martini Max, MoMM (Mother of Martini Max), and I all took off work on Friday to venture up to Hyde Park in the Maxmobile for lunch at the CIA.

The Maxmobile.

No, not the cloak and dagger government agency immortalized by the Coen Brothers in Burn After Reading, but the toque and chef’s knife hospitality school, the Culinary Institute of America, where I imagine the food is much better than whatever is served in the Spy vs. Spy cafeteria.  It was a lovely warm spring day which helped offset the hangovers Max and I were suffering following dining with Max’s long-time friend, The Impresario, Thursday night.

If I recall correctly, the three of us were on Max’s terrace staring at the wonderful view of the George Washington Bridge, quaffing supertankers of cabernet and shakers full of icy martinis with side dishes of grilled steak.  Around 1 AM we were back inside Max’s apartment, where Max was snoring like a congested marine mammal as The Impresario and I were watching possibly the worst grindhouse film ever made, Spider Baby.  The Impresario declared, “Max, this movie is crap!”  I added in a slurred voice, “Yeah, that’s the word for it!”  Those reviews jarred Max out of his sound sleep.  When The Impresario left, Max and I had to figure out how to inflate the Aero guest bed.  As Max stared blankly at the Spanish language portion of the instructions, our 2 AM conversation went something like this:

Me:  Hey Max!  What do the instructions say?

Max:  Don’t do this drunk.

The hands that have held many martinis.

Aero bed success with no assistance from fork on floor.

The next day, with Max sipping a mega sized coffee, and I, an equally huge black tea, we took the scenic 90-minute drive to the Hudson Valley.

Idyllic ride the dashboard hula girl watching Max wished she could see.

The CIA campus is so lovely I almost forgot my headache.

Roth Hall where the student-staffed restaurants are housed.

MoMM with Max walking in the background.

We were dining in Escoffier, the student-staffed French restaurant, where the patrons can view the chef-instructor, Dominick Cerrone, oversee the student-staff through a large window.  We were seated on the opposite side of that window so we had a view worthy of Cinerama.

Escoffier Restuarant student-staff hard at work.

For appetizers, MoMM had the French Onion soup, Max had the Sautéed Shrimp with Baked Tomato, Goat Cheese and Niçoise Olives, and I had the salad since it did not contain tomatoes; they are the equivalent of a death sentence for me.

MoMM's soup with cheese-encrusted croutons.

Max's shrimp.

My picture-perfect salad.

For lunch, MoMM had her favorite, the Roast Leg of Lamb with Spring-Vegetable Medley and Potato-Prune Gratin while Max and I had the Duo of Duck with Rhubarb and Herbed Gnocchi that is prepared table-side.  Unlike the server at the table next to us, who bragged loudly to his customers that he was heading to a restaurant in Beverly Hills following graduation this week, Max suspected that our server, an earnest but jittery young man, was probably going to be flipping burgers at a McDonald’s in Keokuk, Iowa for the summer.

Overall, the food was excellent, and the service was attentive.  The only item that was dropped on the floor by our wait-staff was a roll.  The duck prepared table-side, was a feat that our server, with assistance, accomplished while I channeled my inner Diane Arbus with the Canon Powershot camera that has become welded to my hand since I started writing this blog.

Table-side prepared duck.

By time for dessert, we were all feeling pretty sated, but when Max last visited Escoffier in November, they were out of cheese.  Apparently, this displeased him immensely.  I have known Max for the better part of twenty years, and I have never known that he was such a cheese enthusiast.  To compensate for being cheese-deprived last fall, when our server presented us with the cheese cart, Max announced:

Max:  We’ll have them all!

MoMM:  Max, I don’t want any cheese.

Max:  Get whatever you want, Ma.

MoMM:  I’ll have the three-berry sorbet

Me:  Max, I’m lactose intolerant.

Max:  Take a pill, you’re gonna eat cheese.

Me:  But I already took a pill.

Max:  Take another!

Me:  It’s gonna be like Valley of the Dolls of the lactose intolerance pills for me.

Max:  I don’t care; you’re eating cheese.

Server (to me):  What would you like, ma’am?

Me:  I’ll have a Madeira.

Max:  With cheese!

Server:  The Madeira goes very well with cheese.

Me (after our server had left):  And does it compliment lactose intolerance?

Max:  Take another pill!

Our platter of cheese that could have easily served all arrived.

Say "Cheese!"

I nibbled on the non-cows milk varieties and also kept my distance from the stinky ones as Max scarfed the triple crème Brie that would have killed me as effectively as a bullet in the head.  As heartily as Max ate the lion’s share of the cheese, MoMM was right when she said:

MoMM:  That’s a lot of cheese, Max.  You’re never gonna finish it all.

Me:  Maybe they’ll give him a doggie bag.

Max (hopeful):  You think they do doggie bags for cheese?

MoMM (in the you are two idiots tone):  They don’t do doggie bags for cheese!

Me:  Good point.  It would probably stink up the car.

Max:  If they do, I’m gonna grill it!

Our server did not ask if we wanted a doggie bag for our remaining cheese, nor did we ask.

To be continued …