Monthly Archives: September 2012

Lame Adventure 344: Visiting Christopher Columbus in His Penthouse

In August I heard that the Public Art Fund was presenting an exhibit called Discovering Columbus that would open in September.

Discover Columbus now through November 18th.

The artist Tatzu Nishi was designing a penthouse apartment around the Christopher Columbus statue in Columbus Circle at Central Park West and Broadway here in Manhattan.  Admission price would be my second favorite four letter f-word, free.  Over beers, I told my pal, Milton, about the statue that was now encased in scaffolding:

Me:  We have to see this.

Milton:  Yeah, I’ve noticed that scaffolding.  Okay.

Penthouse on top of scaffolding ensconced statue pedestal base.

Positing this question to him over beverages was a key component of my strategy.  Milton is not a fan of climbing stairs. The downside of visiting the Christopher Columbus penthouse is that it happens to be in a six-floor walkup. Fortunately, due to the upside of the decision-impairing effects of a few pints, Milton was feeling game.

What drew me to this exhibit was the sheer novelty of really seeing a thirteen-foot statue that I have only known from afar for the twenty-eight years I have lived on the Upper West Side.  Whenever I walk past it I primarily glance at the sixty-foot pedestal base and the protrusions in the column representing the sailing ships, the Niña, the Pinta and the Santa Maria.  I, like my fellow New Yorkers, have been completely oblivious to the details of the marble statue on top. Apparently, it was sculpted by Gaetano Russo and completed in 1892 in commemoration of the 400th anniversary of Columbus landing in America.  Even though Columbus Circle is a vast transportation hub, I’m quite sure this is not the exact spot where the legendary explorer set anchor. Presented with the opportunity to see this monument up close and personal in a living room setting with spectacular views and full of furniture from Bloomingdale’s and Mitchell Gold, hey, count me in.

Fast-forward a month later. Milton is now stone cold sober, recovering from a cold and feeling much less game about this visit than me.  The fact that this exhibit is free is a huge plus with him, and I did the work with getting our timed tickets to attend.  All he had to do was show up and meet me there.  We arrive forty-five minutes early for our 7 pm viewing but we’re told to return a half hour later for they follow the schedule closely.  We kill time roaming the area.

Detail of sailing ships protruding from statue’s column in pedestal base.

Visitors on observation deck taking pictures.

Milton looks up at the outdoor staircase with sheer contempt.

Exit side staircase.

Milton: Do you know what I hate more than anything?  Stairs.

Then, he notices there’s an elevator.


That gives him hope.  A half hour passes and we join the line to enter.

Fast moving orderly line.

The line moves quickly and the wait is short, but Milton is feeling cranky.

Milton: I can’t believe we’re standing in line to climb six flights of stairs to see a statue.  This is proof that you can get people in New York to do anything.  They’ll climb enough stairs to see a sandwich.

Egg salad sandwich as never seen before with a spoon. This was not waiting for us six flights up.

A worker scans our timed tickets that grant us thirty minutes to view the exhibit.  Milton, looking longingly at the lift, awkwardly asks:

Milton:  Is it possible to take the elevator, or is it just for, you know, the handicapped?

When he says “the handicapped”, his voice drifts for he anticipates the answer that’s coming.

Exhibit worker:  It’s just for people that really need it.

Milton resists mentioning that he’s recovering from a cold.  He crabs at me:

Milton:  I’m walking slow.  We’ve got more than enough time to see four walls.

I figure that when we reach the top we’ll both be huffing and puffing like two steam engines. It’s possible that one or both of us will require a hit of oxygen from a tank.  The further we climb the more the gray steel utilitarian steps make creaking sounds.

Milton’s nervous feet standing on creaky steel platform.

Milton announces:

Milton:  Did you hear that?  Now my vertigo’s setting in. [light bulb] Oh!  Did I tell you that I just saw that film again when they screened it at Film Forum?

Me:  Really?  They screened Vertigo?

I chatter with Milton about Alfred Hitchcock’s masterpiece to distract him.  I take a picture of the view up Broadway.

Looking north up Broadway where car lights are bright.

Somehow we reach the top without collapsing.  In fact, neither of us is remotely winded.  It is an easy climb.

Carpet in entryway.

We walk down a narrow hallway, enter the 800 square foot living room with a sixteen-foot tall ceiling and see the centerpiece attraction, Christopher Columbus.

This guy is hard to miss.

That was surreal.

Yes, that’s the 120 year old Columbus Circle statue standing on a coffee table in the middle of a living room.

The statue is made to appear like it is perched on a coffee table.  Actually, the table has been built around the statue,  which is an imposing presence and showing its 120 year age.  I agree with Roberta Smith, the reviewer with The New York Times who observed that,  “… weather and pollution have reduced the marble to something that looks like cast concrete.”  After the exhibit ends the statue will undergo cleaning and repair.

“I need a bath and some work done.”

Tatzu Nishi has covered the walls of the room with whimsical pink and gold wallpaper he designed featuring everything you need to know about American culture — Elvis, Michael Jackson, Marilyn Monroe, a hotdog, Martin Luther King, Jr. with Malcolm X, the Empire State Building, Coca Cola,  McDonalds, baseball and Mickey Mouse.

Cultural highlights of America Tatzu Nishi-style.

A 55-inch high definition TV plays CNN non-stop.

Obama’s in the house!

The sofa and chairs are plush and look very comfortable.

Have a seat.

The polished hardwood floors are covered with area rugs.  The bookcase is full of books by American authors encouraging visitors to sit back and leaf through the pages, but during our visit, no one read.

Bookcase with untouched selection of books.

Unread but probably very carefully selected books.

The primary focal points were the statue and the view.

Looking south down Eighth Avenue.

Visitors like to duplicate the Columbus pose in front of the statue. Milton and I resisted doing this.

Wall art.

Not wall art.

Being in such close proximity to the statue and observing this magnificent view from the same perch reminded us that this is usually only available to New Yorkers that were born as pigeons.

Nice hat.

This exhibit, which runs through November 18th, is a treat for anyone without wings.  Even Milton’s grousing came to an abrupt end as he took photographs with his iPhone.  Milton, his dour mood lifted, observed:

Milton:  His outfit is so fab!

The original “I see land” pose.


Lame Adventure 343: Let’s Put On An Art Exhibit!

Once again, there’s free art on Broadway for the unwashed masses.  The Broadway Mall Association has organized a public art exhibition called Saint Clair Cemin on Broadway in collaboration with Chelsea-based Paul Kasmin Gallery, New York City’s Department of Parks and Recreation and the New York City Department of Transportation.  For anyone not inclined to toss so much as a single solitary toenail clipping inside a museum or an art gallery, for five subway stops in Manhattan between West 57th and West 157th Streets, you can easily find yourself gobsmacked with one of seven sculptures created by the Brazilian-born artist Saint Clair Cemin who has a studio in Brooklyn.

The first Cemin piece that caught my eye I noticed one evening in late August when I exited my go-to 72nd and Broadway subway stop on the West 73rd Street side.  It was a mirrored stainless steel object that brought to mind a drafting table.  This prompted me to think “WTF?”  It was too dark for me to take a good photograph of it, but a few weeks later, while heading into that same subway station, I noticed that it had been relocated closer to 72nd Street.  I hit the brakes on my Jack Purcell sneakers, reversed course and took a second look at that sculpture before catching a train heading down to The Grind. A sign had been added announcing that the piece is called Portrait of the Word “Why”.

Portrait of the Word “Why”, 2008, stainless steel

Frontal side view Portrait of the Word “Why” reflecting some cityscape.

Rear sideview Portrait of the Word “Why”

Others might look at this sculpture and modify its name to Portrait of the Words “Why Bother”.  The piece had the opposite effect on me.  It intrigued me so much I decided that I would forego my usual Saturday morning power sleep and check out the six other installations in daylight hours so early many of the denizens in this city that never sleeps were likely pounding their snooze buttons.

In my 100 block of travels up and down Broadway my quest was to determine if I might uncover any clues about what New Yorkers, when led to culture, think using my own weaknesses of observation.

I first inspected the sculpture on the south side of 72nd Street Cemin calls The Four.

The Four, 1997, corten steel

I think that New Yorkers think that they can use two of its sides to house their trash.

You had to stuff your napkin in there, really?

You could not walk ten feet to the nearest trash can?

I rode a 1 local train downtown to 59th Street Columbus Circle, and exited the 58th Street side where I encountered Vortex, a hammered stainless steel coil climbing 123 feet into the sky.

Vortex, 2008, hammered stainless steel

I looked up at it, semi-strained my neck and thought:

Me:  Wow, that’s tall.

I highly doubt that it will be installed in any swell’s living room any time soon.

I walked four blocks north to the street divider at 62nd and Broadway where I saw a crouching figure called O Pensador that’s made from hammered copper.

O Pensador, 2008, hammered copper

O Pensador, sideview

O Pensador, rearview

It made me think of a wrinkled abstract Buddha and I felt immense relief that Cemin resisted producing a surreal sculpture of the prophet Muhammad.

At 66th Street I caught the uptown express to West 157th Street.

Pretty subway stop sign if you overlook the century of grime.

There, I observed a seven-foot tall dancing marble figure Cemin calls The Wind.

The Wind, 2002, marble

I think that others are referring to it as The Repository for Lost Keys.

Keys in The Wind.

Keys ready for their close-up.

Next, I caught a 1 local downtown and exited at 116th Street Columbia University.  In the subway station, I saw a welded steel functional sculpture by Michelle Greene called Railrider’s Throne.

Columbia University 116th Street subway stop.

Railrider’s Throne, 1991, welded steel

How predictable that a woman would create art that is both aesthetically pleasing and actually useful.

Back outside, I walked a block north to 117th Street and inspected Cemin’s hammered copper sculpture called Aphrodite standing nearly eight feet tall.

Aphrodite, 2006, hammered copper

I thought:

Me:  Small breasts, big hips.

Pretty face.

Afterward, I hopped onto another 1 local heading downtown and exited at West 79th Street where I observed In the Center, a fourteen and a half foot tall hydrocal (that’s a William F. Buckley way of saying plaster of Paris), wood and metal behemoth in a gaucho hat holding a divining rod.

In The Center, 2002, hydrocal, wood and metal

This sculpture reminded me of the strict Catholic clergy that were chasing the mischievous schoolboy, Guido, in Federico Fellini’s 8 ½.  As much as part of me wanted to access my inner Guido and bolt from this monster, irrationally fearing that if it leaned forward it could impale me, the rest of me decided to relax and shoot these final images of this free exhibit that can be seen on the streets of Gotham City through mid-November.

Saint Clair Cemin on Broadway

Lame Adventure 342: Pia Lindstrom and Beer Trucks

On the second to last day of summer, Milton and I attended our last theater production before the advent of fall.  We took advantage of the 20 at 20 discount, a discount that allows theatergoers to get tickets to select off-Broadway shows for $20 twenty minutes before curtain.  The show we chose to see was Forbidden Broadway: Alive and Kicking!, a satirical send-up of Broadway musicals.

A hilarious spoof on Broadway musicals from Wicked to Once to The Book of Morman and many other shows in-between.

Milton arrived at the theater ahead of me so he went to the box office and added his name to the list of people that were hoping to score seats at about 75% off the regular $79 ticket price.  As we were waiting, he recognized a gay male porn star and Pia Lindstrom, daughter of Hollywood legend Ingrid Bergman.  The porn star was not attending the show, and Pia was not trying to score a deeply discounted ducat.  In fact, when I checked her out on Wikipedia, I learned that we were all seeing this revue on her 74th birthday.

When Milton said to me sotto voce, “Pia Lindstrom,” I had my usual reaction:

Me:  Huh? Who? What? Where?

Then, we scored our cheap tickets, seats in the middle of the last row of the mezzanine (a fancy name for the balcony).

View from the rafters – nephew of Max Headroom did sink in his seat once the show got underway.

Milton went to the restroom.  When he returned he reported:

Milton:  Pia’s sitting in the fifth row of the orchestra.

Me:  Thank you Pia stalker.

While we were watching from the rafters and Pia Lindstrom from the premium orchestra, everyone laughed uproariously, Milton got wheezy, and then the show ended and everyone left.  Barely five steps outside the theater Milton mutters in a confidential tone:

Milton:  Plaid shirt — that guy from Saturday Night Live.

My head becomes a periscope, I don’t know where I’m looking, I don’t see any guy in a plaid shirt, much less anyone from Saturday Night Live.  I bleat:

Me:  Who?  Andy Samberg?

Milton:  No.  You missed him.  He’s gone.  You know, the fat one.

Me:  Horatio Sanz?

I realize that Horatio’s been off the show for close to a decade.

Milton:  He plays women.

Me:  Bobby Moynihan?  He plays Snooki.

Milton:  I think that’s who it was.

Whenever I am out with Milton, rarely is there ever a time when he does not spot some celebrity on the street that I often miss even after he points them out.  Milton has an excellent eye for noticing famous people.  I don’t.  At all.  I’m almost celebrity sighting blind.

These are the types of sights that catch my eye:

Fallout shelter sign — who knew that these are still around, much less still around the Upper West Side?

1965 Ford Mustang parked on East 66th Street.

Purple stuffed ape in garbage can with wild thing sign.

Wimpy cloud.

Beer truck.

Me if I were a balloon in this past sweltering summer.

Mixed message, “Do I stay or do I go?”

Lame Adventure 341: Mystery Pens

Since I had spent the better part of this particularly sunny and pleasant late summer Sunday indoors web surfing a seventies era Gillette Foamy shaving cream commercial featuring the legendary New York Mets ballplayer, Ed Kranepool*, and coming up short, I decided that the time had come to take my pasty white scrawny being outside for a walk while light still remained in the dwindling day.

*Ed Kranepool – is that a classic baseball player name or what?

Just as I was about to exit my sanctum sanctorum, I encountered an iPad box full of pens sitting atop the radiator cover in my building’s vestibule.

iPad box full of pens.

Although I would personally prefer the iPad it originally contained, there appeared to be many nice pens in that box.  The radiator cover is where tenants occasionally place items they no longer want, usually dull magazines and junk mail, but one year I recall that someone put out some Halloween candy.  I look at this stuff, but I’m not the taking type and it would be just my luck that I’d pop the piece of candy laced with a razor blade or arsenic in my pie-hole.

Pens, on the other hand, appeal to me.  They’re user-friendly.  I feel very discombobulated when I want to jot a note and I reach into my messenger bag only to discover that my pen is missing.  When this last happened to me I had to buy an emergency pen at a newsstand, but much to my chagrin, the seller only had blue ballpoints.  I utterly detest blue ink, but I had no choice, so I lowered myself and made the purchase so I could jot:

“If outlook on life dictates longevity, I should have been dead a week ago last Tuesday.”

Back to the present, I noticed that the iPad box packed with pens for the taking had many in black ink.  I helped myself to four, but took one in green for it reminded me of my charming Significant Whatever.

The chosen five pens.

I am certain that if she were a pen, it would not be one that’s generic and black.  She’s quick with a clever quip.  Recently, she cooed, in reaction to my always attaching photographs in my emails to her; the most recent being an image of a bag of artificially flavored sour cream and onion potato chips — after admitting that she did not necessarily require a visual aid to envision this foodstuff:

Chips I would never eat.

SW: I’m beginning to think maybe this is a form of OCD or Tourettes with you.

After I palmed my five chosen pens I headed out the door and proceeded to walk up my block at a jaunty clip.  I observed a new bag in a new tree across the street from the other tree that’s been bagged since spring.

New tree bagged.

Significant bag caught in branches.

It was a satisfying stroll where I was subject to only one tiny bug flying into my face – and just in-between my eyes rather than into my glasses.  My thoughts as I walked were primarily focused on the presidential election, new angles of intimacy with my Significant Whatever, and who left those pens behind and why?  It was quite a collection that was accumulated.  Did it take years?  Some appeared to be from hotels, others from places including Yale.  Were the rest purchased by their former owner or just absconded from the workplace, another great American pastime – filching office supplies?  Or, was it someone whose mate laid down the law:

Mate:  Either those pens go or I go!

When I left for work on Monday, the pens were still there, but it appeared that more were taken and my fellow tenants were indulging in this magnanimous gesture.  When I returned home that evening, the iPad box full of pens was gone.  Maybe their original owner had a change of heart and could not bear forfeiting his entire pen collection?  Or, could it be that in the course of the day every pen was under new ownership? Possibly, my landlady now has that iPad box full of pens sitting in her kitchen alongside her ancient answering machine, with the message declaring in her Irish brogue, “This is a machine”?

There it is, another unsolved mystery about as confounding as why no one has yet to post that Ed Kranepool shaving cream commercial on YouTube?

Lame Adventure 340: Up On the Roof In Times Square

If there is one place in New York City where I guarantee I will never be found as long as I am breathing, it is Times Square on New Year’s Eve.  Being there at that time on that day has less appeal to me than playing slip and slide over hot coals while naked. There are certain situations that I feel so strongly negative about and this is one that scores sky high on my hole in the bucket list, right under how much I loathe clichés like bucket lists.

I am not a list-er and I prefer to blather about what I’ve done after I’ve done it.  Whenever people are compelled to yammer at me about what they intend to do – take a class, write a novel, throw a party, shoot an arrow, whack a mole, whatever it is that is so important at that moment, my eyes glaze over.  If you’re compelled to do something, I say:

Me:  Great.  Do it.  Tell me about it when it’s an actual thing and not air-infused pontification that is about as likely to happen as world peace by next Tuesday.

Earlier this week I happened to be in Times Square with my bud and fellow blogger, Natasia, who writes Hot Femme in the City.  Last month she had suffered a ferocious cold accompanied by one of those coughs that sounded similar to a phlegm-filled foghorn.  She was very bummed that her illness prevented her from attending an outdoor screening of Raiders of the Lost Ark in Bryant Park with her colleagues.  Factoid-on-feet-me told her that this film was going to open for a week in September in IMAX theaters in conjunction with its release on Blu-ray DVD.

When that week rolls around, Tas and I make a beeline for a screening after we left our respective grinds for the AMC 25, the IMAX theater in Times Square.  We were joining the minor masses i.e., it was not a horde of rabid theatergoers, eager to catch this classic popcorn flick first released in 1981.

We arrived an hour early.  We didn’t have enough time to head over to any of our preferred watering holes in the area. It was also premature to start stuffing ourselves with a trough of popcorn so heavily salted I am certain that I have fulfilled my sodium requirement for the remainder of the month or possibly the rest of my life since that infusion of salt could result in me succumbing to a massive stroke by the weekend.  So, what to do with forty minutes to kill?  We hightailed up to the roof.

This multiplex theater’s rooftop is not the most romantic in New York City so it is probably not a go-to place for a proposal unless the proposal is, “How long is the movie?  Should we hit the bathroom before hand or what?”

Couple on lower level AMC 25 rooftop, not exactly Hollywood romance surroundings.

Great place to propose bathroom break strategy.

Although this hidden rooftop oasis is essentially industrial strength viewing, it does offer a unique perspective on this world famous area that’s also tourist and crowd-free. Apparently it’s also a welcome place to eat sunflower seeds.

Sunflower seed detritus or possibly evidence of a visit from a Yankee or Met.

Check out the other sights.

Madame Tussaud’s mitt up close and personal.

Thomson Reuters headquarters building.

The Thomson Reuters building is also known as 3 Times Square.  As interesting as seeing Madame Tussaud’s well manicured hand, we were far more captivated seeing the Times Square Ball in the off-season.

The Times Square Ball mid-pole in September. The colors gradually change.

Times Square Ball changing to lighter color.

Times Square Ball closer.

Times Square Ball in bolder colors.

We were hypnotized as we watched the Times Square Ball, but then I started to bark like a seal and we regained our senses.

The Paramount Building.

The Paramount Building is also known as 1501 Broadway.  At the time we were looking at it, Tas guessed that it was Big Ben.

The view looking west down 42nd Street.

A ship sailing the Hudson with New Jersey in the background.

Hotel Carter.

The Hotel Carter, which opened in 1930, has a reputation for being ranked the dirtiest hotel in America for four years running.

The Westin Times Square.

For tourists that would like to avoid bedbugs, the Westin Times Square might be an infinitely more attractive alternative.

The Westin even has a pretty reflection.

One Astor Plaza.

One Astor Plaza is home to Viacom’s headquarters and MTV’s New York studios.

The Times Square Building and the former home of The New York Times.

“Hey Tas, let’s go back inside! Don’t bring the stranger!”

Dinner comprised of salt, popcorn and 37 napkins.

As for the film, it holds up well — if you ignore the boulder-sized hole in the plot of the Nazis being completely oblivious to Indy’s archaeological dig taking place right in front of their faces.

Lame Adventure 339: Funny Money

Several years ago, when I first saw this lying in the street, I was duped.

Looks are deceiving.


Fooled by Balloon Saloon!

When I realized that it was Balloon Saloon’s business card held in a funny money bowl by a grizzled cigar smoking fake pioneer, this jaded New Yorker welcomed the whimsy.

Cowboy Fun.

Funny money bowl.

This was also years before the economy tanked so those were the days when I was at my peak in the Department of Welcoming Whimsy.

If I were 43 years younger I would definitely plant one of these fake twenties in a place where my brother, Axel, would fall for the trap.  In fact, I might bring one of these fake twenties with me when I next visit my family out on the West Coast just to mess with a head or two proving that my intellectual development reached a screeching halt by my tenth year of personhood.

Is Balloon Saloon really “the most fun store in New York City”?  Who decided that vote? I’ve been a registered voter in New York since 1983.  Although the holes in my memory rival the 416,000 potholes repaired Big Apple-wide in 2011, one thing I would never forget is if there was a vote for the most fun store.  One of my close personal, and in this context, unnamed friends is a huge fan of an establishment called Purple Passion.  They sell toys, too.  Were they on that ballot?  The goods available at Purple Passion are not competing with the likes of what’s available at Balloon Saloon, the go-to source for purchasing the world on a string.

Planet Earth on a string.

Almost every weekday I walk past Balloon Saloon since I prefer to ride the express train home.  Last week, on a rainy day, I saw a tragic site a block away from the store.

Is funny money and balloons not sacred?

Whenever someone does something antisocial, I automatically blame the economy.  I suppose another highly likely possibility is if a formerly mild mannered schnook or shnook-ette heard the Call Me Maybe song one time too many causing them to violently snap and take it out on Balloon Saloon.  It also occurred to me that the culprit could have simply been Mother Nature acting like a nasty bitch.  Whoever was responsible for this violation to Balloon Saloon’s bowl of fun I cannot say with any degree of certainty, but the mess appalled me.  I looked at the scattered soggy funny money, the deflated balloons and that empty rain-spattered bowl and brooded.  Reflecting on this tragedy I thought:

Me:  Here lies another textbook illustration of the decline of Western Civilization.  The world is going to hell and I’m stuck riding that train.  I’ll probably have to stand the whole way there, too.  Nothing is exempt from a miserable demise including the funny money bowl from Balloon Saloon.

Exasperated I entered the bowels of the Chambers Street subway station carrying the burden of my existential crisis.  Symbolically the uptown express was delayed so I ended up walking five blocks out of my way for a local that I could have caught much closer to my workplace.  I felt determined and thought:

Me: If there’s ever been a time in my life to read enlightening Danish philosophy written by brainiacs with long names crammed with a’s and o’s with slashes, this is that day.

Forced to improvise, I satiated this desire by thumbing through the cartoons in The New Yorker while craving Danish pastry.

The next day, under clear skies, I left The Grind and was again walking down West Broadway en route to the Chambers Street subway station.  As I passed Balloon Saloon I saw an unexpected sight.

Crazy Crayola protected!

Replenished funny money bowl!

Part of me wants to say this was a sure sign of the resilience of the spirit, but the rest of me figures someone just picked up the empty bowl, cleaned it off and stuffed it with a fresh supply of funny money.  However this came to pass, I feel much less compelled to read dead Danish guys, but I could still go for the pastry.

Voted most fun store in New York City.

Lame Adventure 338: Kid Art

Last month, I noticed that one of my neighbors, a fit-looking woman in her early to mid-thirties that resides on the fifth floor in my building, had been walking with a significant limp.  Climbing up and down five flights of stairs appeared to be agony for her.  Curious and concerned, I asked her what had happened, anticipating a story about some terrible accident she suffered.

Upstairs Neighbor:  It’s so embarrassing.  I was sitting down, I got up,  and I somehow stood on it funny.   It’s been hurting me ever since.  I’m going to the doctor.

My initial thought was:

Me (thinking):  She’s about twenty years younger than me, she’s slender and in shape.  If something freak like that can happen to her, what might happen to me if I sit down and get up funny?  Could I break a leg?

I said:

Me:  I hope you get well soon.

She thanked me, we parted ways and I made a mental note:

Me: This is a warning sign that you absolutely, positively, no ifs, ands, or buts must start working out again.

Then, I resumed my sluggish ways.  A few days later, it felt like a sleeping squirrel had woken out of a sound slumber behind my right kneecap and was trying to make a break for it with its sharp teeth.  In other words, it was a strange sensation that hurt.  Since the weather was also pleasant I refused to let my discomfort force me to stay housebound.  I simply had to leave my hovel and take a walk; I had to make an effort to burn off some flab (famous last words).

There I was, dragging my hobbled right leg up West 84th Street toward Columbus Avenue, when I encountered a delightful display of outdoor art produced by children attending P.S. 9.

P.S. 9 entrance.

I was so intrigued with their witty and entertaining sculptures I completely forgot about whatever it was gnawing at me from behind my kneecap.

Atomic Hula

Who knew that just looking at imaginative kid art would be therapeutic?

Room for Art

I hope whatever was lurking behind my kneecap will continue to forget about me.

Pin Art

Yes, clothes pins.

If only looking at art could gift me with fitness, but I suppose I shouldn’t grouse, at least I didn’t need to ride an ambulance home.

Three Musicians

Three Musicians detail straight from the Bed Bath and Beyond kitchen accessories collection.

Meanwhile, check out more of the whimsical kid art that may or may not be packed with magical healing power.

Faces in the Crowd (made from plates)

Sock Monster (or where lost tube socks go).

Refuse to grow up and write a blog.