Monthly Archives: December 2010

Lame Adventure 134: Fine Foodstuffs

On a frigid cold Tuesday evening, I met my close personal playwright pal, Albee, after work for a very pleasant dinner at Trattoria Spaghetto located at 232 Bleeker Street at the corner of Carmine in the West Village.  We were inspired to try this modestly priced home-style Italian eatery after reading puppeteer, Basil Twist’s recommendation in The New York Times.  We like his taste in puppets, so why not check out his taste in restaurants?  If I were inclined to write ghastly puns worthy of being beaten senseless with the nearest Genoa salami I might add that there were no strings attached.

As soon as we entered Trattoria Spaghetto we inhaled the aroma of garlic prompting Albee to declare, “I like it here.”  The checked tablecloths, wood floors and exposed brick walls made us feel warm, and the friendly wait-staff, welcome.  The crusty bread was extremely fresh, and although we could have easily devoured the entire basket, we practiced restraint, and were rewarded with two slices of delicious homemade bruschetta.

We each had a glass of the house wine that was generously filled almost to the brim, prompting Albee to facetiously joke, “Waiter, I’ll have a pint of the house red.”  The waiter did not hear Albee’s quip so we were allowed to stay.

We started with the house salad, and for entrees, Albee had the ravioli with Bolognese sauce and I, the grilled salmon with a side order of escarole.  Everything was tasty, and the portion size, substantial.

Following our meal, as we sipped tea the waiter presented us with a plate of Italian cookies, a nice finishing touch, even though Albee was certain that the one with the inviting dollop of chocolate he popped into his mouth was laced with pepper.  Therefore, he had a fleeting “what the hell did I just eat?” moment.  We also appreciated that we could easily hear ourselves talk unlike the many restaurants that play music to such a deafening degree, I am certain this has contributed to my hearing loss.  If only blasting music could contribute to weight loss, I’d have the body of a super model.

Upon leaving, to have dessert elsewhere, we agreed that we would not only return, but also follow Basil’s lead and recommend it.  As we were walking on Bleeker Street, I had a light bulb:

Me:  Let’s go to that place we saw advertised during the US Open a million times last summer!

Albee is also an avid tennis enthusiast, but I forgot that he does not have a TV.

Albee:  I watched most of the Open online.  What’s this place?

Me:  It looks real good.  The owner is a woman who was shilling a Chase credit card.  She opened this drinking and dessert place.  It’s right around here.

For added emphasis, my neck becomes a periscope.

Albee:  Sugar and alcohol, that sounds good. What’s this place called?

Me:  I don’t remember, but I know we’re very near it.  I think it’s in the same space as Vinylmania used to be.

To escape the freezer-like temperature, we duck into a bodega where Albee whips out his smart phone and conducts a search.  He comes up empty.  Back on Bleeker Street, as we’re walking past Murray’s Cheese Shop, we see a display embedded in the sidewalk of caved age cheese, something neither of us has ever noticed before.

Rounds of underground sidewalk cheese look appetizing, but probably smell like a locker room after practice.

Inside Murray’s, we ask the cashier if she knows where Vinylmania used to be.  She doesn’t.

We give up our futile search for this establishment with a name I cannot remember at an address we cannot find that’s replaced a business that has ceased to exist.  We cross the street to Pasticceria Rocco’s where we indulge in more Italian desserts.  I have pignoli cookies that are similar to the ones my mother used to get from an Italian bakery in North Beach at Christmastime when I was growing up in San Francisco.  Albee has what I pronounce “the Milton cake,” a towering, terrifying, artery clogging chocolate confection that’s actually called the Chocolate Lover’s Fantasy.  Albee renamed it “two days worth of dessert” since it was impossible for him to finish.

Chocolate Lover's Revenge if eaten in one sitting with pignoli cookies taking cover in background.

When I returned home, I went online, and found the name of the dessert place that eluded detection, Sweet Revenge, a cupcake, beer and wine bar.  It was located a block away from where we were at 62 Carmine Street.  I likely walked right past it on my way to Trattoria Spaghetto.  Marrone.  Or maybe, moron is more fitting.

Lame Adventure 133: Sitting Ducks

Through the years Milton and I have seen many plays and musicals together, but in recent weeks we have seen only duds, the most recent being this past Saturday when we attended Lincoln Center Theater’s current stink bomb, A Free Man of Color.  A few years ago when we heard that the Public Theater was going to stage this new work by the Pulitzer Prize-winning playwright, John Guare, it was going to be directed by George C. Wolfe, and star Jeffrey Wright and Mos Def (now calling himself Mos), we were so excited we shared a fully clothed no-body-parts-touching simultaneous orgasm.

Staging this elaborate production proved too costly for the Public, so they dropped out, and then Lincoln Center Theater stepped in.  Having seen this fiasco, we now think that someone at the Public finally took the time to read this muddled pile of words about race in New Orleans between 1801-1806 and said:

Someone at the Public:  Holy crap, this is a disaster!  How the hell do we get out of staging this train wreck without offending any of the big names attached?

Someone Else at the Public:  Plead poverty!

Since Milton and I were unaware of this conversation, we were so elated when we heard it was finally going to be staged, we locked arms and did a happy dance together like two theater-loving fools.  The second tickets went on sale to LCT members, we were on the web site placing our order.  In hindsight I realize that selecting the one-year anniversary of my colonoscopy to see this show was more symbolic than we knew at that time, but this show is comparable to the agony of colon prep.

Our favorite seats are dead center in the first third of the orchestra, and this was exactly what I ordered.  As the old adage goes, “Be careful what you wish for.” Since we got our wish, we were very sorry indeed.  By the time our date to see this play arrived, we were familiar with its many negative reviews, as well as the very negative word-of-mouth I encountered from friends that had seen it.  Our friend Judy emailed me that it was “godawful” (she panned it eloquently in her blog The Grande Enchilada) and an assistant house manager at a theater company where I usher plays warned me, “The second act’s no better than the first.  I envied the people that left at intermission.  Let me know what you guys think of it.”

Knowing that this show was toxic, when I met Milton, he did not say hello to me, he greeted me with the following:

Milton:  Do you see Michael Moore?

All I saw was a crowd of people.  Milton kept insisting I look, but I was blind to this sighting.  Once inside the theater, Michael Moore was seated two rows ahead of us, so I was able to see him then.  The theater was no more than 75 percent full; another bad sign.  Finally, the play started.   Jeffrey Wright and Mos took the stage and began babbling endlessly.

Milton and Me (thinking):  This sucks.

I glanced at Milton and I noticed that he was sitting with his Playbill pressed against his lips.  He later explained to me that this was to ensure he’d stifle his urge to scream.  As for me, I could not have nodded out more had I swallowed a fistful of Nembutal.  Milton thought that Jeffrey Wright was looking right at us.

Me:  He probably saw I was asleep!

Milton:  I thought he was looking at me, waiting for me to scream.  He knows this show is terrible.

At intermission, the audience applauded anemically, Michael Moore sat stone-faced, and we did something we have never done before.

We left.

The title A Free Man of Color had a completely different meaning to Milton as he shouted at the sky:

Milton:  Awful!

Michael Moore circled in red made of tougher stuff than us at intermission sticking around for Act 2 or as we call it, Act We Don't Give a Crap.

Lame Adventure 132: You Better Watch Out, You Better Hide

In 2003 my favorite Christmas film was released, Bad Santa.  Terry Zwigoff directed this clever dark comedy written by Glenn Ficarra and John Requa.  Billy Bob Thornton is Willie, a hard-drinking, self-destructive thug playing a department store Santa so that he and his fellow con man, Marcus (Tony Cox), playing Santa’s Elf, can fleece the store on Christmas Eve.  One day, a chubby snot-nosed loser-kid (Brett Kelly) visits Santa.  The Kid is certain that perpetually drunk, burned out Willie really is Santa so Santa moves in … and it just gets better from there.  I highly recommended Bad Santa to my sister, Dovima.  She saw it and emailed me her review:

Dovima:  Gross!  I can’t believe that’s your favorite Christmas film!  Are we even related?

Bad Santa Willie, the Kid, and Marcus

For years, I did not think I would live long enough to see another Christmas movie that would be as satisfying as Bad Santa until Milton and I saw Rare Exports, a fantasy-action-comedy hybrid set in snowy Finland at Christmastime.  Written and directed by Jalmari Helander, he offers a fresh and original take on the “real” story of Santa Claus and his very dedicated and oh so memorable elves.

The protagonist in this twisted tale is a mischievous child, stuffed bear-clutching, rifle-toting Pietari (Onni Tommila), who lives with his gruff father, Rauno (Jorma Tommila), the butcher in a frozen mountain village.  (Real-life father and son play father and son in the film.)  Pietari is young enough to still believe in Santa Claus, even though his non-believing partner in high jinks, Juuso (Ilmari Järvenpää), mocks him for it.  The boys’ method of spying on a nearby archaeological dig financed by a multinational corporation has naughty consequences so Pietari suffers guilt.  The dig is in the process of unearthing something mysterious buried deep in the mountain prompting curious Pietari to hit the books and research Santa Claus.  The more he learns about Santa Claus, the more he fears this guy coming to his town.  Pietari is certain that the real Santa Claus is on his way, he’s very pissed at all the children, and he’s not packing presents.  Whenever Pietari attempts to communicate the burden on his mind to his father, he’s dismissed or ignored, and the audience shares the boy’s frustration.

We know that this kid is onto something.

Frustrated Pietari eating his Dad's gingerbread cookies.

As this riveting story unfolds, so does a sense of menace, suspense and humor.  There is also much welcome dry wit throughout that adds to the fun of seeing such a highly original take on the origins of such a very familiar sentimental subject.  Unfortunately, this accessible alternative film is rated R possibly due to the dropping of a few f-bombs and a hilarious cameo by a tomahawk, but this probably has more to do with a liberal amount of innocuous full frontal male nudity that is relevant to the story.  How innocuous is the male nudity?

Milton was not turned on in the least.  He was laughing – as was I.

Rare Exports is a gem that is suitable for most kids 12 and older as well as anyone who appreciates intrigue and fun in a season choking on sap and cheer. For those hungry for sap, there is a taste of that, too, at the end.  Jalmari Helander has written and directed a very welcome new Christmas classic.

Even sap addicts like my sister, Dovima, might like this one.

Lame Adventure 131: Head Loading

I am continuing to recover from an excruciating lower backache I recently suffered as a result of taking a walk on the wild side via my bathroom where I adjusted my shower head, an action that has only impaired my ability to stand, sit, stair-climb and sleep, but mercifully, I still have the capacity to swear like a rapper, a skill I recommend honing, particularly when in agony and walking stiffly on the Upper West Side in a semi-incapacitated state.

During my stroll I was distracted from my pain by a guy walking ahead of me wearing a beret.  He also happened to be carrying a toaster oven box on his head.  Since his companion was carrying a shopping bag from Zabar’s, a store that also happens to sell toaster ovens, I was confident that there was an actual toaster oven in that box atop that guy’s head.  I also suspected that they were unable to find a parking space closer to Zabar’s.  As I watched Beret Man, this thought crossed my mind:

Me:  Hey Beret Man, you’re not in Nairobi.

One way to ensure that the beret stays put.

Since Beret Man’s head carrying was an effective means to keep my mind off my aching back, when I returned home, I was motivated to Google search Zabar’s toaster ovens.  Boxed, various name brands this upscale food and housewares emporium offers weigh on average 25 lbs for a De Longhi, 20 lbs for a Cuisinart and 10 lbs for a Black & Decker.  Then, my wandering mind wondered what does a regulation weight bowling ball weigh?  Apparently, no more than 16 lbs, and bowling balls seem like dense weight I would prefer to avoid carrying atop my head, even though it appears that a bowling ball weighs considerably less than Beret Man’s toaster oven.  With that in mind, I Googled the following:

How safe is it to carry objects on the head?

I originally considered Google searching, “How safe is it for a Westerner wearing a beret to carry a toaster oven on the head,” but I decided a more generic search might yield the answer I was seeking.

The answer came from an article aptly titled (at that moment in my life), “Head Case,” published in Slate last August during the flooding that ravaged Pakistan.  This was a terrible time when people were fleeing for their lives carrying massive loads on their heads.  Head-loading is safe, provided your body is equipped to do it:

“…researchers have found that people can carry loads of up to 20 percent of their own body weight without expending any extra energy beyond what they’d use by walking around unencumbered.”

The article continued:

“But don’t start stacking groceries [or toaster ovens] on your head just yet. The subjects in these studies began head-loading as children and had developed a peculiar gait that’s one-third more efficient than the one we’re likely to use.”

I highly doubt that Beret Man has developed that gait, and right now,  I’d rather have my slowly healing aching back than his compressed neck.  Next time, when fleeing Zabar’s with something big and bulky, break out the wallet again and invest $5 in taking a taxi to the car.