I admit that I will never be mistaken for someone who is conducting a passionate love affair with their day job. What I do is label tile, an occupation that is equal to tossing years of one’s life off a cliff, but I make an effort to consciously label tile accurately. Labeling tile is an honest, and at times, a stupid living. A recent example of stupid: I received a delivery of tile samples where I discovered I was missing two tiles. I notified the vendor that I needed two more pieces of three-inch square tile, one in the color, Latte Matte, and the other in Steel Grey Matte. Pictured below is what the vendor sent me in the follow-up delivery.
One of the many reasons why I enjoy living in New York so much is that I love theater, and I’m not just referring to what I encounter in what I see on the street.
I am referring to the stage. Last week, my friend, Milton, treated me to the current Broadway revival of the musical Cabaret playing at Studio 54 starring Alan Cumming and Michelle Williams. This was my Christmas present. When Milton purchased the tickets in 2013, the best seats available were for this performance in July. We’re two patient people who were fine with celebrating our Christmas in July. For those of you who appreciate feedback about shows (the rest of you skip to the next paragraph): this is a terrific revival of a brilliant musical. We were both entirely in our bliss. Alan Cumming has been playing the role of the Emcee off and on since 1993. He was born to play this seductive character. Milton noted that for a guy who is not very handsome, Alan Cumming is so charismatic in that role, he becomes the sexiest guy in the world. This revival is a first for Michelle Williams who had never appeared on the Broadway stage before. She’s cast as Sally Bowles, a role I had only seen on film played extraordinarily by Liza Minnelli. Michelle plays Sally as someone sincere but with minimal talent. Her Sally is infinitely heartbreaking. When Liza powerfully belts the title song, Cabaret, in the film, I recall feeling uplifted. When Michelle’s Sally sings it earnestly on stage, I had the impression that she’s thinking that she’s going to follow the lead of the friend who died “from too much pills and liquor”. She was so vulnerable. We thought she did a fine job in that pivotal role. It’s a shame that she did not score a Tony award nomination. We thought she got robbed. It was a great night of theater in New York City.
Usually, Milton and I find ways to get discounts on our theater ticket purchases. One way is to subscribe to a theater company’s season. One of the theater companies we subscribe to is the Public Theater. Recently, we had to order all of our tickets for the 2014-2015 season. We got great seats at great prices on all the dates we wanted. I had the tickets mailed to my apartment. Imagine my dismay when I opened my mailbox to find our tickets in this envelope. My friend, Coco, suggested it could double as a skateboard ramp.
It rained buckets that day, but if my letter carrier had a beef with Mother Nature, was it necessary to direct the hostility on our theater tickets? This person had to shove our ticket envelope into my letterbox, and then they rolled and plunged two catalogs and that week’s issue of The New Yorker on top of the envelope. This took concentration and force. I told Milton that I sniffed the envelope and was relieved that it did not noticeably smell like urine.
There are days when I don’t feel like labeling tile samples, but I’m not going to take a hammer, smash them to smithereens, and send them off for display. By doing my job relatively whole assed, I can afford to attend the theater. As for my letter carrier, I’m unsure what to think other than I’m irked.
I wish he or she would invest in another way to express hostility, preferably far away from my mail, possibly at a more appropriate place like an active volcano. Occasionally, I have to junk discontinued tile samples. Maybe I should offer them to my letter carrier to throw when feeling rage.